The three-day, $300 million, record release of Barbie and Oppenheimer was the biggest in three years. The trinity bomb and dream house were accompanied by the CDC warning of a coming tripledemic on Saturnday and Elon Musk changing the blue bird logo of Twitter, a symbol of pure thought, into an X on Sunday. The X is also found in both movies, as is the sigil of Jupiter and Saturn. A few days later, New York Times Magazine announced that COVID-19 had an unknown or X origin, making it the X-Variant. As UFO hearings were also taking place, #UFOTwitter became #UFOX. Shall we solve for X? Tonight on Ground Zero, Ryan Gable talks about SOLVE FOR X.
I’m your host, Ryan Gable… filling in for Clyde Lewis…
AND this is Ground Zero
Number: 503 225 0860
Email: [email protected]
For those of you who don’t know me, I host The Secret Teachings, which airs right after Ground Zero Monday – Friday on Ground Zero dot radio.
Started radio on a college station in Orlando 13 years ago.
I’ve been a fan of GZ for about 8 and so I host this show tonight with great respect and responsibility.
Actually, I was asked to host the entire time Clyde was away… but we had some tech issues.
So……in the meantime, I’ve been hosting my show, and while Clyde has been out, I’ve been keeping up my end of the pop occulture synchro-mystic bargain.
And I’ve noticed a lot of things that I want to bring to your attention here tonight.
Beginning on the weekend of July 21-23 I noticed a trend.
The three-day weekend release of Oppenheimer and Barbie seemed to fit into the zeitgeist, forming a pattern, from the CDC warning of a tripledemic on the 22nd, and Elon Musk changing the Twitter logo on the 23rd, to a series of congressional UFO hearings.
All of these things involved the letter or symbol X.
Nexus point, male/female, active/passive, fire/water, four elements.
MEME MAGIC has been in full force since that weekend over what Hollywood and the Internet termed Barbenheimer.
In effect, this is a sigil and all the energy poured into it through our black mirror screens is energetically charging it and bringing to life what it represents.
On the show Clyde and I did, we talked about the juxtaposition of the pink and black worlds. One is pink, plastic, fake, and whimsical, AND the other is black, emotional, real, and dramatic.
Even prior to July, however, a new movie by Wes Anderson was released on May 23 called Asteroid City. The film had atomic bombs (Oppenheimer), a plastic pastel-colored set common in Wes Anderson movies (Barbie), quarantines (Covid-19), and even UFOs and aliens (UFO hearings / the new #UFOx). More than that though the movie culminated in a sort of ritual psychological chant: “You can’t wake up if you don’t fall asleep.”
This sounds like something from Lewis Carol, where “nothing would be what it is, because everything would be what it isn’t.” Or as the Caterpillar said: “One side will make you grow taller, and the other side will make you grow shorter.”
These two sides are part of an obsessive-compulsive zeitgeist coming out of Hollywood at the moment.
From countless superhero movies, including Doctor Strange in the Multiverse of Madness, to Everything Everywhere All at Once, the entertainment world is split into multiple dimensions.
The new Haunted Mansion movie obviously touches on the theme of a ghost world and a human world. The tagline of Flash was Worlds Collide. The new Barbie movie talks about a “membrane” between Barbieland and Barbie’s ‘Dream House’ AND the real human world. Even Coca-Cola has ads that say, ‘Dreamworld is Here’, while Burning Man’s recent slogan was ‘Waking Dreams’.
Hollywood after all is the wood of the Druidic magicians, who conjure up grey tempests like silver screens which broadcast MOVIE MAGIC based on a script, which is comprised of thoughtS and ideas put into words and sentences – symbols that are SPELLED out.
Many of you are probably very well versed on what Clyde calls Atomic Alien Theory, something I also wrote extensively about in my book The Technological Elixir. The idea is that the atomic bomb, and subsequent thermonuclear bombs, might not have just signaled to other intelligent life that we are here on earth, they may have ripped apart this Barbieland membrane.
The Manhattan Project Trinity test used a vessel to contain at the time what was hard to come by plutonium, should the atomic fission detonation fail, but the other triggering explosives detonate.
This vessel is identical to those used by alchemists along with manufactured explosions or bolts of lighting, meant to provide the energy by which a homunculus, or artificial person, could be physically channeled and brought to life.
Aleister Crowley’s channeled being LAM, which looks like a stereotypical grey alien, also shares a relationship with Google’s Deep Learning AI called LaMDA. The engineer who warned of its sentience, Blake Lemoine, is also a Gnostic mystic.
This theme of science and magic can be found all throughout history.
Robert Boyle – alchemist who gave us the Law of Thermodynamics.
Robert Hooke – alchemist and the inventor of the Microscope.
William Harvey – alchemist who discovered the circulation of blood.
Francis Crick – LSD, and discovered the double helix.
The radio and television were both invented as the result of attempts to make contact with the spirit worlds and capture psychic influences.
Charles Darwin also attended séances and was a close friend of Max Müller, who translated Sanskrit texts. His idea involving the “evolution” of fish, amphibians, land animals, and humans, is similar to the Rosicrucian Cosmo-Conception and Theosophist Frank Baum’s Wonderful Wizard of Oz: the lion, tin man, and scarecrow, comprising the animal, mineral, and vegetable bodies respectively. The Wizard of Oz is also heavily referenced in Barbie with the pink brick road among other things.
Then there’s NASA’s rockets that are phallic and when they penetrate the sky there is a sort of alchemical marriage performed between the earth god and sky goddess. The name of their programs from Apollo and Mercury to Artemis, and of course the Saturn V rocket, which is arguably built into the form of a pentagram, are all conjuring from the same reservoirs of occult energy.
Jack Parsons too, the father of modern rocketry, was a known occultist who would recite poems to the goat god Pan, from where we get panic and pandemic, before conducting his tests.
CERN also famously has a statue of the god Shiva, the Destroyer in the Hindu trinity: that thing that Oppenheimer became after the Trinity test. Now I am become death.
In a Washington Post article from July 23, the following was reported about Barbenheimer: “the zeitgeist-conjoined new releases Barbie and Oppenheimer, has evolved from meme to market force.”
This is raw meme magic at work. Manifestation through the energy and currency we put into our phones and computers, those black mirrors used for conjuring spirits.
The money we pay and the time and attention we pay bring the sigils and memes to life.
The phone itself is akin to the monolith from 2001: A Space Odyssey, which was also referenced in the Barbie movie.
OPPENHEIMER was produced and shot in a magical or ritualistic manner:
Christopher Nolan printed the scripts on red paper and hand-delivered them to the actors so he could see their initial reactions.
On set, Robert Downey Jr. said there were no phones, no video village, or even a chair with your name it. He said it was an “almost monastic approach to what we’re doing.” Robert Downey Jr. also called Cillian Murphy’s preparation a “sacrifice.”
Nolan chose not to use any CGI at all in the film., saying “CG inherently is quite comfortable to look at,” and that it is “safe.” For this film, he said it “can’t be safe. It can’t be comfortable to look at it. It has to have bite. It’s got to be beautiful and threatening in equal measures.”
Oppenheimer was so real that the composer, Ludwig Goransson, said the movie not only “transcends the idea of genre” but that the music “we recorded… surpassed what I believed to be humanly possible.”
Nolan has also compared Oppenheimer and the bomb to artificial intelligence – the Oppenheimer Moment of today. During an NBC interview, the director said the most terrifying thing about AI, algorithms, and the general lack of responsibility around them is that as “AI systems go into defense infrastructure, ultimately they’ll be in charge of nuclear weapons.”
Of course, this is the theme of the Terminator and Skynet, and a new movie called The Creator wherein sentient machines detonate a nuclear weapon in Los Angeles – also where the first Terminator mostly takes place in 1984.
Many also see this film as a prequel to the 1999 film The Matrix, wherein machines have built a complex dream world to feed off of the energy of humans. Although they fed on sunlight before, a great war blackened the sky and forced the machines to hijack human perception and the body for food.
In the BARBIE movie there is a strange parallel to these storylines too, since Barbie’s dream world, and her dream house, of plastic and make-believe, is set aside form the real world.
In the film, Barbie is given the choice between the red pill Birkenstock and the blue pill high heel. She also meets with the oracle and grand architect, who are one in the same. The first meeting references Michelangelo’s creation of Adam…. think Adam Bomb.
Her perfect life crumbling around her as she recognizes death is a purely Biblical metaphor relating to the Garden of Eden.
When she finds out her world is falling apart because of another world we may also be reminded of tv shows like Fringe where two dimensions are coming together in a collision course because man tampered with the laws of nature and opened a portal.
Barbie is told that the membrane between her world and the other world has been ripped and damaged.
She learns that Crazy Barbie is a result of humans in the real world playing with dolls in the other dimension of Barbieland.
All of this is the reason why these movies did so well, besides appealing to the lowest common denominator and playing with political correctness.
When OPPENHEIMER explains the compartmentalization of the Manhattan Project he draws four different laboratories, connects them with an X and draws a circle around the central nexus of that symbol.
This produces the Sigil of Jupiter.
When BARBIE is dancing and suddenly stops to ask her friends, “Do you ever think about dying?”, she is standing on a pink dot with a pink circle. This symbol is called monad. It is the alchemical symbol of gold and a representation of the planet Saturn, the black sun, turned on its side. It is also a symbol of the fertilized egg.
This is essentially the Sigil of Saturn.
The Sigil of Jupiter is a powerful symbol of victory and success, obvious elements of the Manhattan Project and WWII. Used in pentacle form it protects one from one’s enemies, the Nazis, are conjuring. It also protects the magician from what they themselves are conjuring. In both cases, the power of atomic energy.
The Sigil of Saturn is a powerful symbol of alchemy and the symbol of both lead, the metal of Saturn, and the Star of Saturn. For a visual example think of the masonic square and compass, the instruments used by the Ancient of Days to construct the physical world.
The Oppenheimer Jupiter Sigil is LEAD in the buildup to the Trinity test at which point it is transmuted into GOLD. Oppenheimer thus shows us victory, intelligence, and protection, to be gained through dedication and accomplishment no matter the horrors of illusory life.
The Barbie Saturn Sigil begins as GOLD but is slowly transmuted into LEAD. Barbie gives us thoughts of death and then sells us materialism in the name of anti-capitalism.
In other words, OPPENHEIMER is the red pill and BARBIE is the blue pill.
The countdown to the Trinity test is ZERO HOUR whereas in Barbieland two giant X statues are present on one of the houses. They represent the chromosomes of a biological female, meaning perhaps that regardless of what your chromosomes are you can be anything you want in the dream world or metaverse.
In fact, you can choose nothing and instead become an empty drone, or dull doll, who never thinks about life or death, and who is played with by otherworld intelligence. If they play with you too hard you can even go crazy.
Here we derive the X and O of the alchemical marriage.
Interestingly, the Japanese Toho Company which released the original Godzilla in 1954, is releasing a new movie called Godzilla Minus One sometime in 2023. It is being billed as a sequel to Oppenheimer, a movie that has extra significance in Japan.
Japanese have also voiced their displeasure at the meme magic itself pertaining to Barbenheimer.
After Trinity, the bombings of Hiroshima and Nagasaki in 1945 were far more than what was justified as a necessary military strike. It was not only a test of the weapons on a foreign people, on a country without the Western corporate infrastructure that existed in Europe, but it was the culmination of the atomic ritual.
Paul Ham points out in his book Hiroshima Nagasaki, that Churchill was “a grand old white supremacist” who called the Japanese ‘yellow dwarf slaves’, a people he wanted to see “dead in great numbers, as soon as possible.”
Australia’s Labor government agreed, add, “We always did despise them anyhow.”
Admiral Bill Halsey to call the Japanese ‘bestial apes’. Leatherneck, the marine magazine, called the enemies lice and said on March 5th, 1945: “Before a complete cure may be effected the origin of the plague, the breeding grounds around the Tokyo area, must be completely annihilated.”
On the other hand, Japanese children were taught to ‘Kill the American Devils’, and attack images of Churchill and Roosevelt. Japanese press promoted propaganda that American soldiers were sending the skulls of soldiers home as trophies.
The 1937 Rape of Nanking saw the Japanese butcher and rape tens of thousands of Chinese. The Bataan Death March resulted in 2,330 Americans and 7,000 Filipino POWs die of starvation, sickness, torture, and execution. In 1943 the infamous Unit 731 had reportedly planned to spread lethal bio-agents over Burma, India, Australia, and New Guinea, expanding to the Americas and the Philippines in 1944.
How eerily esoteric is it that the Land of the Rising Sun had the ultimate weapon of war, in effect the power of the sun, dropped on two of its major cities?
How eerily esoteric is it that both Emperor Hirohito and the so-called father of the atomic bomb, Robert Oppenheimer, both embodied this power of the sun, personally or within a container?
Nagasaki, ironically, was also the eastern hub of western Christianity, a religion based on sun worship.
In the lead-up to those bombings dozens of German and Japanese cities were also bombed with the intention to kill as many civilians as possible and of course to test new weapons.
The firebombing of Dresden which killed a conservatively estimated 200,000 in a single night and the napalm experiment in Tokyo which killed a conservative 100,000 in a single night were true holocausts of fire. They were mass human sacrifices in the months and weeks leading up to the dropping of those two atomic bombs on Japan.
The eastern gateway of the apocalypse was then ripped open while Hollywood today holds the western gateway open.
Wired News reported: ‘Barbenheimer Signals the Start of Hollywood’s Apocalypse
NBC News reported: Barbenheimer boom might be followed by fallout at theater box offices
If an atomic experiment has the ability to destroy the fabric separating dimensions then the technology itself is not so much a weapon as it is a trigger for something much more terrifying.
The bomb is therefore a revelation of divine power, and instead of becoming a deterrent of war, it has instead become a deterrent of peace. It is the ripest example of a deal made with demons.
The Trinity bomb detonated in New Mexico was a plutonium fission device, unlike the hydrogen fusion bombs later built and tested. The bomb dropped later on Hiroshima was a fission device using uranium-235 and the bomb dropped on Nagasaki was a fission device using plutonium-239. In a fission device, a nucleus is split into two nuclei and in a fusion device two nuclei combine to release their energy.
Fission is thus the separation of one into many and fusion is the combination of two things into one, both of which are alchemy. These are pure alchemical and occult concepts.
The bomb is not so much a new weapon, but a new world, and it has the power to destroy the entire planet and our reality without setting the atmosphere on fire or destroying everything in its immediate blast zone.
In the hands of manmade sentient AI, or archonic intelligence, it is the final judgment of mankind, burned in fire, as punishment for stealing fire from the gods like Prometheus.
This archonic intelligence cannot create, it can only mimic. This is the issue in Hollywood and the art world.
The obsessive focus on one of the hottest cities in the United States, Phoenix, during peak solar activity, is esoteric in nature too.
Since the Phoenix bird dies and is resurrected out of its own ashes, so too does the Covid-19 pandemic and Climate Change intend to destroy civilization and reset it by building back better on the ashes of the old world.
The whole scam is based on confirmation and situational bias, hypnotic suggestions, and feelings over facts.
Drop the SARS and V from SARS-CoV-2 and you get CO2: the scam recycles. In both cases, SARS-COV-2 supposedly gives us a fever and C02 gives the planet a fever. More heat and fire.
In Hollywood, the ritual leads us into a dream world built by machines and it is from the dream world that millions approach Barbie, which outperformed Oppenheimer during opening weekend, choosing the blue pill and to stay in Wonderland.
It is the purest form of meme magic and broadcasting. Barbie was not revolutionary, it simply drew energy from the Wizard of Oz, Matrix, Space Odysseus and countless other sources of success.
But it is that opening weekend when the ritual began.
Over the three-day opening Barbenheimer made $300 million, the biggest debut since the three-year pandemic began.
On the second day, Saturn’s Day, July 22, Dr Mandy Cohen, director of the Centers for Disease Control, warned that we are going to face a tripledemic of illness because there are ‘three bugs out there’.
Think Tripledemic and Trinity.
On the third day, Sun Day, the 23, Elon Musk announced that the blue bird logo of Twitter would be replaced by an X. The number 23 also represents the new world and rebirth.
Symbol dictionaries will tell us that the BIRD itself represents thought, imagination, and synthesis. In Egypt, the bird was BA – the soul. A blue bird in particular is a representation of pure ideas, thought or consciousness. Likewise, the red T in Tesla is a TAU cross, a symbol of synthesis and perfection in Hebrew.
The X and lowercase T essentially have the same meaning.
On April 21st, 2022, Tesla announced their Optimus robot with updated AI would be ready soon after months of it not working. On the 24th, Musk confirmed that NeuraLink would begin human trials that year. On the 25th, the official day of Twitter’s sale, StarLink went active with a major airline.
These are likely the reasons Elon purchased Twitter and then renamed it X. Musk also uses X for xAI, SpaceX, the first electric luxury ‘crossover’ SUV Model X (think cross roads), Twitter’s holding company X Corp., and the payment/currency processor X.com.
X represents synthesis of the spiritual and physical, active and passive, male and female, fire and water, and the Upper and Lower worlds. The two lines meet at a third point – trinity – the Nexus of two worlds where a gateway is opened.
Since TWITTER became X, the #UFOTwitter became #UFOX, a perfect reference for Unidentified Flying Objects. What we are getting out of these UFO hearings is also equal to an X, another series of claims for believers and skeptics to argue over.
The X is also four triangles and thus the four elements of the material world. It is the mirror from the Matrix and Alice in Wonderland, the same one Barbie stands in; the mirror is that inverting upside force that takes us into the realm of Stranger Things where Vecna, like humans in Barbie, are controlling minds in another dimension.
X is the alchemical marriage.
The merging of man and machine in this context occurs at the Nexus point and with the assistance not of artificial intelligence, but of archonic intelligence, an AI force awoken and welcomed into our world. The orgasmic energy to call this force in was the atom or Adam bomb and subsequent mass human sacrifices.
The X is thus the male force penetrating the female force, who, with open legs, gives birth through the third force, or central dot, that is the gateway. This is the imagery of cathedrals like Notre Dame, with a rose window, two pillars, and an almond entrance.
This is why the media is saying Elon Musk killed the bluebird, a symbol of pure consciousness because the body must become what CNN said Twitter is now: a disfigured shell of its former self and a deformed entity.
The entity must be stripped of its yellow and white insides, like an egg, so that only an empty shell remains.
Only then will archonic intelligence, or mimicking intelligence, be able to take form through the portal and inhabit those disfigured shells.
A few days after Barbenheimer and Twitter X, on July 25, the New York Times Magazine ran a story titled ‘The Ongoing Mystery of Covid’s Origin’, wherein they admitted having no idea where the ‘virus’ came from, effectively making it an x-variant.
Thus some may recall that before Event 201, about the coronavirus pandemic, there was CLADE-X from Johns Hopkins about an unknown virus.
When Maricopa Country, Arizona, brought in cooler units that week in fear of a surge of heat deaths it mirrored when hospitals did the same for Covid-19, though in both cases the fear was built on projections rather than facts.
So what does this all mean?
X marks the spot, but for what?
X is nexus point but for what?
Hollywood meme magic brought the fake and real, pink and black, Saturn and Jupiter, together. It shares a strange connection to that story about pink and black substances being found in Moderna vaccines in none other than Japan. Or that song Pink Venom by Black Pink which features the Garden of Eden, the moon goddess, and a blue bird in a golden cage.
Some may also have noticed that Cillian Murphy (Oppenheimer) was Scarecrow in Nolan’s Batman and Margot Robbie (Barbie) was Harley Quinn in Suicide Squad, a movie promoted with a XX face. The squad itself was called Task Force X. Robbie was also in Asteroid City, a movie about bombs, alternate reality, quarantines, and aliens.
In the Batman universe, both characters were psychologists or psychiatrists. The Scarecrow is obsessed with fear and Harley Quinn becomes psychotic due to her infatuation with the Joker, one of the few people who cares for her.
In other words, Oppenheimer is fear and Barbie is love. Fear of the real and love of the fake.
In Oppenheimer there is this line about the bomb: they won’t fear it until they understand it and they won’t understand it until they use it.
In Barbie, everything is a loving pink dream.
Fear and love of the real lead to destruction and rebirth. The spiritual is all that matters: Give back to Caesar what is Caesar’s and to God what is God’s. (Mark 13:12-17)
X is not only ten, or unknown, it is the spark that awakens an entity from the abyss, an egregor, tulpa, and golem, which wreaks havoc on our world. It is the sigil of the gateway for the Lovecraftian Old Ones to emerge.
It’s no wonder that AI is “frighteningly Good” at drawing Cthulhu, according to Futurism. Or that the Shoggoth are the meme for AI with a smiley.
The atom bomb was not just a new weapon, it created a new world, and likewise, Covid-X is not just a novel virus, it is a new normal like Climate Change heat waves.
It is no coincidence then that many of the top Manhattan Project members were Jews and that within mystical Judaism you have the golem. In effect, it was Jewish mysticism fighting Nazi occultism. The Land of the Rising Sun was obviously the best target for these magicians to rip open the eastern gate.
Furthermore, according to a Nature publication from July 27, the pandemic changed our perceptions of space and time, something you may except to happen with mass trauma like that from fear of a virus, climate change, or the constant back and forth over the fake threat of aliens or WWIII.
Here are two more worlds: microscopic and sub-atomic or that which is above and that which is below.
It is clear that WWIII is taking place in the mind and every behavioral change or perceptual alteration is caused by what amounts to psychological nuclear blasts.
As the membrane between worlds is ripped open so too is the mind stretched to facilitate a massive transfer of energy in the grand alchemical experiment.
The currency we spend on movies, the anger over Twitter’s new logo, and the renewed fear of Covid, all contribute to this transmutation.
It is the birthing of a new world; a new man.
This is how we SOLVE FOR X.
BARBIE ALCHEMICAL SUN
BARBIE SATURN SIGIL
OPPENHEIMER JUPITER SIGIL
Ryan Gable is a veteran radio personality and producer for his show, “The Secret Teachings.” His broadcast focuses on the Synchronicity and objective analysis of Alternative News, Health, History, the Paranormal, Symbolism, the Occult/Esoteric, Alchemy, Magic(k), Philosophy, and more, in the most distinct ways by finding parallels and patterns often overlooked. Spending much of his life on air, and having written several books, Ryan has also been a guest on dozens of other radio shows and has had his broadcast aired on a variety of networks. He’s on Ground Zero Radio, Monday-Thursday at 10 pm, pacific time and on Fridays at 10:30 pm. His website is: https://